This is very cool news: Vermont cartoonist Alison Bechel has won a MacArthur Genius Grant!
From their website:
The MacArthur Fellows Program awards unrestricted fellowships to talented individuals who have shown extraordinary originality and dedication in their creative pursuits and a marked capacity for self-direction. There are three criteria for selection of Fellows: exceptional creativity, promise for important future advances based on a track record of significant accomplishment, and potential for the fellowship to facilitate subsequent creative work.
The MacArthur Fellows Program is intended to encourage people of outstanding talent to pursue their own creative, intellectual, and professional inclinations. In keeping with this purpose, the Foundation awards fellowships directly to individuals rather than through institutions. Recipients may be writers, scientists, artists, social scientists, humanists, teachers, entrepreneurs, or those in other fields, with or without institutional affiliations. They may use their fellowship to advance their expertise, engage in bold new work, or, if they wish, to change fields or alter the direction of their careers.
Although nominees are reviewed for their achievements, the fellowship is not a reward for past accomplishment, but rather an investment in a person’s originality, insight, and potential. Indeed, the purpose of the MacArthur Fellows Program is to enable recipients to exercise their own creative instincts for the benefit of human society.
The Foundation does not require or expect specific products or reports from MacArthur Fellows, and does not evaluate recipients’ creativity during the term of the fellowship. The MacArthur Fellowship is a “no strings attached” award in support of people, not projects. Each fellowship comes with a stipend of $625,000 to the recipient, paid out in equal quarterly installments over five years.
Her bio from the website:
Alison Bechdel is a cartoonist and graphic memoirist exploring the complexities of familial relationships in multilayered works that use the interplay of word and image to weave sophisticated narratives. Bechdel’s command of sequential narrative and her aesthetic as a visual artist was established in her long-running comic strip, Dykes to Watch Out For (1983–2008), which realistically captured the lives of women in the lesbian community as they influenced and were influenced by the important cultural and political events of the day.
Garnering a devoted and diverse following, this pioneering work was a precursor to her book-length graphic memoirs. Fun Home: A Family Tragicomic (2006) is a nuanced depiction of a childhood spent in an artistic family in a small Pennsylvania town and of her relationship with her father, a high school English teacher and funeral home director. An impeccable observer and record keeper, Bechdel incorporates drawings of archival materials, such as diaries, letters, photographs, and news clippings, as well as a variety of literary references in deep reflections into her own past.
Bechdel composes an intricate, recursive narrative structure that is compelling on both the visual and verbal planes in Are You My Mother? A Comic Drama (2012), a meditation on her relationship with her emotionally distant mother seen through the lens of psychoanalytic theory. As in Fun Home, the images in Are You My Mother? do not always correspond to or illustrate the words; rather, they mutually interpret or often tug against each other, creating a space between them that invites a multiplicity of interpretations. With storytelling that is striking for its conceptual depth and complexity in structure as well as for the deft use of allusion and reference, Bechdel is changing our notions of the contemporary memoir and expanding the expressive potential of the graphic form.
This is outstanding news for a very worthy recipient.